Cat on a hot thin groove HC

! Read * Cat on a hot thin groove HC by Gene Deitch ¼ eBook or Kindle ePUB. Cat on a hot thin groove HC The Cat is Back Great 19The Cat is Back A Customer Great 1940s comics that capture the world of the jazz fanatic circa 1945-1950. Deitchs artwork is clever, original, somewhere between Virgil Partch and Harvey Kurtzman -- far above the amateurish efforts one associates with fanzines. Anyone familiar with the loonier aspects of record collecting will find much amusement in these cartoons (The Cat berates one guy searching a huge pile of records with, Thats the A master which is relatively co

Cat on a hot thin groove HC

Author :
Rating : 4.45 (621 Votes)
Asin : 1560975261
Format Type : paperback
Number of Pages : 220 Pages
Publish Date : 2016-05-12
Language : English

DESCRIPTION:

The Cat is Back Great 19The Cat is Back A Customer Great 1940s comics that capture the world of the jazz fanatic circa 1945-1950. Deitch's artwork is clever, original, somewhere between Virgil Partch and Harvey Kurtzman -- far above the amateurish efforts one associates with fanzines. Anyone familiar with the loonier aspects of record collecting will find much amusement in these cartoons (The Cat berates one guy searching a huge pile of records with, "That's the 'A' master which is relatively common!"). Deitch also drew. 0s comics that capture the world of the jazz fanatic circa 19The Cat is Back A Customer Great 1940s comics that capture the world of the jazz fanatic circa 1945-1950. Deitch's artwork is clever, original, somewhere between Virgil Partch and Harvey Kurtzman -- far above the amateurish efforts one associates with fanzines. Anyone familiar with the loonier aspects of record collecting will find much amusement in these cartoons (The Cat berates one guy searching a huge pile of records with, "That's the 'A' master which is relatively common!"). Deitch also drew. 5-1950. Deitch's artwork is clever, original, somewhere between Virgil Partch and Harvey Kurtzman -- far above the amateurish efforts one associates with fanzines. Anyone familiar with the loonier aspects of record collecting will find much amusement in these cartoons (The Cat berates one guy searching a huge pile of records with, "That's the 'A' master which is relatively common!"). Deitch also drew. Beyond Fantastic OilCanBoyd This book gets seven stars. At first, I think I thought it had something to do with Mad Magazine, like Spy Vs. Spy. What I found was a goldmine. Rarely do I see books dealing with geeking out on something. Gene Deitch clearly loves Jazz Music. This book documents a dope artist, blossoming into greatness through an interest in an outsider sound. His honest comments on obsesive geekdom, as well as race relations, are appreciated. A super cool gift, as well as a beautiful,

He is the father of underground cartoonist Kim Deitch. . Gene Deitch has lived in Prague for the last 30 years with his wife

Every jazz swinger in the 40s was called a cat (as in cool cat), derived from the West African word "Katta", a human), so Gene Deitch created a cartoon feature for the Record Changer titled " The Cat" ,which quickly became a fixture at the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951 along with the "The Cat". Deitch stylistically virtuoso images exquisitely embodied the essence of jazz and became a visual paean to the joy of collecting and appreciating jazz.. At the age of 21, he discovered The Record Changer, a jazz collector's magazine filled with fanatical,scholarly, and purist essays about jazz as well as listings of hard to find jazz albums. A visual feast of swingin' ca

In them, the bald, bespectacled jazz lover chases down rare platters, argues the superiority of traditional jazz to bebop, and otherwise airs his obsession (in one cartoon, he turns to horticulture because cactus needles were thought to cause less wear than metal ones on shellac 78s). All rights reserved. Just before then (1945-50), he contributed prolifically to The Record Changer, a jazz magazine, drawing dozens of graphically bold issue covers as well as gag cartoons in his midcentury-modern style (thin

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